And draft patterns. This blog will log some of the processes.
And draft patterns. This blog will log some of the processes.
Anyone remember a couple of years ago I designed and drafted some fitted Tee shirts?
I’m using this navy striped one for the Pattern Review Contest as a base to make four different looks. The contest called for using a TNT. This is the pattern .
It has the side seams moved to the front and back, giving the pattern that twisted look.
There are cap sleeves drafted on, and the bust darts are angled from a half yoke seam from one shoulder. Many commercial T-shirt patterns don’t have bust shaping, and rely on the fabric stretch to do the work.
Making up is a breeze. One angled dart is sewn first, then the half yoke seam that extends into a second dart, side seams, hems, and neck binding.
First adaptation is a Tee top in black stretch lace and black jersey. I extended the half yoke seam to make an asymmetric yoke in the lace front and back, and finished the shoulder of one side with a tie instead of a cap sleeve.
Second adaptation is in a natural white jersey with a raised knitted pattern, and plain black jersey for shaped sections to emphasise the displaced side seams. It gets a new neckline, faced to the right side in black with a decorative shaped facing. I moved the darts to shoulder drapes in this one.
Third adaptation in brown jersey , the original top extended to dress length. I used the darts as folds and redrew the neckline to use a purchased beaded collar. I’m using a purchased belt with this.
Fourth adaptation took on a seventies vibe with a bit of flower power appliqué, and a flounce wrapping round the edge of the cap sleeve and extending down the displaced side seams. I used a pink viscose jersey, appliqué in black cotton jersey.
When I designed the original pattern I worked it in a standard 12 before drafting it from my personal block. I still have the 12 draft. Would anyone like to do a test run of this?
12 finished garment measures 35 inches at bust, assuming moderate stretch in the fabric.
In the spirit of full disclosure, more of the Pattern Stash Comp insanity coming up.
Small bits of fabric stuff this time
babe dress in red cotton trimmed with green silk from ancient pattern (well 60s ish)
babe hat in printed jersey long time readers may recognise, made from pattern from the French mag ‘Fait Main’
Even older pattern causing nostalgia attack of momentous proportions (doll’s clothes)
Another trip down memory lane – 50s dolly pattern
Beanie hat from My Image magazine pattern
Knickers from Burda magazine pattern
Beret in faux suede from Butterick 6308
Babe dress in blue crinkly satin from a Burda Magazine
Dolly dress in cotton from aforementioned nostalgia trip
Babe dress in yellow cotton with flower pocket and mauve trim from Patrones magazine pattern.
Dolly jacket from 50s memorabilia
Babe jacket from Patrones Magazine
Knickers again! This time a short shorts pattern from Idées Couture Magazine, made in scrap of jersey left over from a dress.
Dinky little baby mittens from Burda magazine
Hat from Vogue 8405
What can I say? I kept seeing those scraps we all save so religiously as pattern fodder. Luckily, no pattern for scrunchies has yet found its way into my repertoire. The scraps from the scrap makes would not have been safe.
Here is the Pattern Review gallery. There were some lovely contributions, and what can I say, all together, a heck of lot of sewing went on.
I was asked how I sewed so much and don’t really have an answer. I have manic sewing episodes, this was just a slightly longer one. I made no plans to take part, it just happened after I made this hat.
Then I started rifling through stashed patterns and old magazines, and imagining styles made up in stashed fabric. A few skirts got made.
From left to right first row
1. a dead simple skirt from an old Burda magazine pattern, made in a jersey fabric which has horizontal flounces of grey knitted in to a black background. Waistband black jersey done yoga pants style.
2. printed cotton skirt lightly gathered onto a shaped yoke, old Patrones magazine
3. Straight skirt with side pockets from a pattern passed down to me
1. A line skirt in fine black and white stripe cotton
2. Skirt from a Burda magazine pattern, 18 small tucks at the front. Yes, I am crazy.
3. Skirt in a printed voile with a shirred top set onto a yoke (why shirring not gathering? Ask Patrones)
1. Gored skirt constructed from ancient Burda mag. pattern, in a printed crepe, set on a black waistband.
2. Bias cut flared skirt in a printed chiffon with woven satin stripes
3. Bias cut flared skirt from freebie Marfy pattern (well free with pricey catalogue that is)
1. A line skirt in wild print on cotton.
2. Black poly basic straight skirt with side slits.
3. Velvet skirt with overlapped shaped side slits faced back.
More next post ha ha.
I put this blog to sleep for a few months during some Real Life roller coasters and a couple of those creepy events which sometimes land on ladies who blog. Sorry to buzz off without explanation and suspend so many helpful and encouraging comments from readers while pulling down the shutters. I’m back now with a different nom de plume and avatar, and will be blathering on about the same sewing and pattern making obsession. Cheers and Happy Stitching.
Throwing common sense to the winds again here. Disregarding cement dust, leaking water and smashed tiles to sew a little.
This time its Donna Karan V1257.
Not a new baby, and for some an unloved one. Still, as I’m altering the tissue on my knee, cutting out on the bed, and stitching in a pile of tins, cutlery and pans, I thought I might as well pile on the punishment and nurse a troublesome little pattern as well.
The front is cut like a kimono sleeve, front bodice and sleeve in one, with the added frisson of the back sleeve joining on, but as the back half of a set in sleeve. This part of the sleeve joins to the back bodice, where a regular armhole takes the half sleeve head. With me so far?
Several reviewers mentioned that the sleeve was circulation stopping tight. You don’t even need to get your tape measure out to see that, but I did anyway. Biceps is 10 and a half inches at the widest point.
I cut through the pattern front from underarm to neck point and added a wedge in, increasing the sleeve head by 3/8ths and the underarm by one inch, then added five eights to each side seam, altering the back so it would match up. The result in my two way stretch jersey was a reasonably comfortable fit. I think the pattern measurement is closer to leotard tight, so maybe it would be ok if you use a stretch lycra and can take having your upper arm encased in a sausage skin fit. Or have very skinny arms of course.
Other pattern beefs? The neckline has the usual problems of gape and plunge, I stitched some elastic along the facing edge. The knot makes extra bulk, where pleats in both the bodice and skirt also join bulkily. I did some ad hoc hacking with messy hand finishing inside to get rid of the unseen bits of the pleats and the underside of the knot. You could use a lighter jersey, but wouldn’t you want a skirt lining if you did? The pattern doesn’t have one.
Photography is still minimal I’m afraid. A selfie in the boxroom was all flash, so here it is, flat out on the bed again.
When Henry Ford said something along the lines of ” You can have any colour as long as its black”, did it cross his mind that not every black is equally black? Probably not – black auto paint is as black as it gets.
Its not so simple when it comes to fabric is it? In a building lull yesterday, I made Very Easy Vogue 8825. It was Very Easy. I used a yard and a half of dirt cheap jersey from a fabric stall in Watney market, priced at either £1 or £1.50 a yard, I forget. The fabric was originally intended for something else but became a dress for the price of a cheap tea towel.
Vogue 8825 has the Vogue signatures of a plunge you need a camisole under, and a very generous tie belt. The belt goes someway to explaining the two and seven eighths of a yard they tell you to buy. How hard is it to match blacks? I think I got away with the belt, the closest black I could find in stash, but match the black in the print it does not.
At the weekend I met up with some sewing pals from The Sewing Forum. We did Berwick Street.
I focused on collecting samples of sinfully expensive blacks – cheapest £39 a metre, least frugal £60 a metre. Er yes a blue and a black tulip snuck in there when I was off my guard, but mostly I kept to the plan, silk or silky of cocktail dress persuasion.
There’s a black velvet with tulips embroidered in a delicate line of silver thread and a chiffon with a narrow stripe from Misan Fabrics, as well as an embroidered black on black, a nice crepe and something with a crinkled surface texture from The Cloth Shop, and nice medium weight silks from The Silk Society, Broadwick Silks, Biddle Sawyer Silks. You couldn’t find an exact match amongst the different qualities though. Fibre and surface texture must alter dye take up and shade.
Having stuck to my guns and not bought any lengths before drafting a pattern, I needed a treat.This beaded yoke piece will find its way onto the boat neck of something one day. All of these shops and a few more are either on Berwick Street or just off it on a crossing street. Berwick Street leads off Oxford Street between the tube stations of Tottenham Court Road and Oxford Circus.
When I got the batch of patterns including Vogue 8825, in an unusually organised streak, I checked who had made them up, who had reviewed them, and posted a summary of their comments on the back of the envelope, before the excitement of new patterns wore off.
The jersey I used was medium weight and quite soft. A heavier jersey could make the layers in the cross over at the waist seam unduly bulky. There are pleats folding at the same point, and a grown on facing. The only changes I made to the pattern were a teeny FBA and ignoring the cuffs in favour of bell shaped sleeves.